While Sanguine occasionally stumbles in its ambition, this is a thoughtfully scary and funny satire that succeeds far more than it fails.
Frustratingly shallow and limited in its vision, Fjord raises heavy subjects, but refuses to engage with them on a meaningful level.
Heartbreaking and oddly uplifting, The Man I Love is a soulful elegy for those we've lost, and how they stay with us forever.
A romanticized story of martyrdom that is far more fascinated with the pain and torture than it is the subject itself.
The whole film is like a masterfully crafted eclaire, fluffy and light, and potentially delightful at first bite, but then nothing but empty calories without any payoff.
Clever and unexpected, if never quite scary, Colony is a thrilling zombie romp from one of the masters of the genre.
Vibrant and compelling thanks to an electrifying leading performance from Bradley Fiomona Dembeasset, Congo Boy is a hugely promising debut feature worth seeking out.
I don't know what I just saw, but I loved it.
Pawel Pawlikowski's quiet but tremendously vibrant Fatherland is a road movie about the multitudes of grief.
The Beloved is an overwhelming and honest portrait of regret, passion, hope, forgiveness, and both the ability and inability to let go.
Anchored by two stellar leading performances and a smart, economic script, Paper Tiger is a timeless and classy crime thriller worth seeking out.
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