Haunting, melancholy, and beautiful, The Ice Tower is a mesmerizing work of fantasy that lingers long after the film ends.
Jason Statham's latest is a dull riff on Die Hard without any thrills, wit, or charm.
Initially intriguing, The End of Oak Street loses a fun premise in a sea of mean-spirited humor and odd tonal shifts.
Fantastically gory, fun, and brimming with heart, Deathstalker is an instant cult classic for fans of classic sword and sorcery films.
Brand New Day features great performances from its main cast, but the story is stuck in a rut with no way out.
In Christopher Nolan's hands, Homer's epic becomes a breathtaking masterpiece about trauma, legacy, and the oral history of a passing age.
Milly Alcock shines as the titular Supergirl, but the flat directing and aimless script do her no favors.
Elevated by Harlin's innate eye for action, Deep Water sinks due to its length and underwritten characters.
A richly imaginative and thrilling blockbuster that is as smart and daring as it is emotionally rewarding.
I have laughed more at funerals than I did during Scary Movie.
There is something incredibly sad about watching an increasingly aging franchise take the stage and apologize for its existence. At some point, it's fine to let go.
It's not boring, but it's not that good, either.
