I don't know what I just saw, but I loved it.
First week on the road from Cannes 2026.
Pawel Pawlikowski's quiet but tremendously vibrant Fatherland is a road movie about the multitudes of grief.
The Beloved is an overwhelming and honest portrait of regret, passion, hope, forgiveness, and both the ability and inability to let go.
Anchored by two stellar leading performances and a smart, economic script, Paper Tiger is a timeless and classy crime thriller worth seeking out.
Classy directing and immaculate performances keep A Woman's Life just lively enough that its traditional story doesn't turn soporific.
Gillian Anderson and Hannah Einbinder delight in this smart and emotionally rewarding exploration of horror and sex.
Beautifully acted and full of warmth, Nagi Notes is a small movie of great emotions, and how difficult it is to express them.
A tremendously moving and poignant film that will make anyone a fan of the beautiful game.
The Cannes Film Festival opened with a French fantasy that doesn't stick the landing.
Cannes begins this week. Here are some of the films I'm most looking forward to during the festival.
I met with Kenji Tanigaki, Joe Taslim, Xie Miao, Yayan Ruhian, and Brian Le to talk about shooting one of the most impressive action films of the decade.
