Street Fighter is an aggressively stupid movie that knows it's an aggressively stupid movie. It's also a lot of fun with occasional fleeting glimpses of emotion, and it's the best Street Fighter adaptation to date.
Messy and surprisingly dull with flashes of poignancy, VisionQuest is less than the sum of its parts, mostly because of how unwieldy the MCU has become.
Disco is dead, says Summer Eternal, but Red Rooster will carry its torch.
Castlevania: Belmont's Curse is not just one of the best games this year; it's one of the best Castlevania games ever made. It is a challenging, consistently engaging, and superbly designed adventure epic that reminds us why this series defined an entire genre in the first place.
Valor Mortis feels like the next frontier for the Soulslike genre. It is a massive undertaking to rewrite the language we use to understand these games, and One More Level succeeds in stamping its mark on it.
Wings of Theve is the best entry in the franchise and one of the most beautiful games released this year. It's accessible, tremendously exhilarating, and so much fun that any complaints feel minor compared to what you get.
If only Matchbox the Movie were a worse film, at least then it would be interesting. But it isn't, and it isn't.
The Social Reckoning is the story of patriarchal caricatures breathlessly mansplaining journalism, ethics, and even mansplaining to any woman within earshot.
The Devils is a sublime, timeless provocation that has lost none of its potency.
Gears of War: E-Day combines everything Gears fans love about the series into an overwhelming and immensely earnest celebration that stands proudly alongside the original trilogy.
I got to play Crossbridge Games' upcoming cosy adventure at Gamescom and see how Tove Jansson's magical story comes to life.
Featuring a career-best performance from Cruise, Digger is a wild and audacious satire that almost, but not quite, sticks the difficult landing.
