Spider-Man: Brand New Day doesn't feel new in any way
Brand New Day features great performances from its main cast, but the story is stuck in a rut with no way out.
Brand New Day features great performances from its main cast, but the story is stuck in a rut with no way out.
When I saw And Her Body Was Never Found at SXSW early this year, I hated the experience. If you had asked me about it in April, I'd have said it was the movie itself, but that, too, would have been wrong.
In Christopher Nolan's hands, Homer's epic becomes a breathtaking masterpiece about trauma, legacy, and the oral history of a passing age.
Convoluted and surprisingly dull, Enola Holmes works thanks to a wonderful cast still in search of a better movie.
One of the most impressive, breathlessly entertaining shows ever made.
Milly Alcock shines as the titular Supergirl, but the flat directing and aimless script do her no favors.
Messier than previous seasons, House of the Dragon is still a thrilling and epic fantasy that captivates at every turn.
Elevated by Harlin's innate eye for action, Deep Water sinks due to its length and underwritten characters.
A richly imaginative and thrilling blockbuster that is as smart and daring as it is emotionally rewarding.
I have laughed more at funerals than I did during Scary Movie.
There is something incredibly sad about watching an increasingly aging franchise take the stage and apologize for its existence. At some point, it's fine to let go.
Expertly acted and deeply compelling, Star City is a mature and richly textured drama about dreaming of a better tomorrow under systemic oppression.